Hey Reader, Every time I work on a track, there’s one ritual I never skip: I play it for my girlfriend. And she is my hardest critic. She doesn’t know anything about mixing. Doesn’t care about saturation or parallel compression. This week, I played her my upcoming Tech House remix of this track: I was hyped. “There’s just… too much going on.” At first, I rolled my eyes. In the break, I had vocals, synths, melodies, drums—everything at once. And that’s when the one question came back to me: 👉 “What’s the focus?” 🎛️ The real secret to a pro-sounding mixIt’s not your EQ. And stereo placement plays a huge role in that. Here's my go-to stereo placement guide:
🛠 Tools I actually use:
One of my fav tricks? 👉 Put a Utility on the master chain and switch to mono. Suddenly, all the clutter shows up. Still hearing your lead? Great. You can also solo just two channels—e.g., synth + vocal—and find conflicts fast. 🎯 Bonus Tip: Shift focus using automationDon’t just widen everything. Try this instead: And since it’s my birthday today (yeiiih), I’ve got something for you: 🎁 I’m giving away 3 FREE track feedbacks. Got a song in progress? Only the first 3 replies will get one. Before I go, I’ve got one quick question for you: 👉 If you could get personal help with one part of your production right now, what would it be?
Just hit reply and let me know. Stay Productive, 🚀 Need a productivity boost?If you're ready, here’s how I can help you: Stay Productive Notion Template - The ultimate tool to organize your music business, manage your tracks, and stay productive. Designed for music producers. |
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Hey Reader, Let me tell you something I’ve never shared publicly. When I signed my first track to a real label, I was on fire.Finally — my music was good enough.Finally — someone saw potential in what I was doing.Finally — I could say I’m a real artist. But when the release day came, the excitement quickly faded.Instead of celebrating, I caught myself thinking: 👉 “How could they release something this bad?”👉 “Why did I ever think this was good enough?”👉 “This sounds awful compared to other...
Hey Reader, Imagine this: You hear a track that blows your mind.You're inspired.Tonight, after work, you're finally going to start that new banger. You sit down.Open your DAW.Start scrolling for the right kick.Load a clap.Sketch a basic pattern.Kick on the one, clap on the two. And slowly... the excitement starts to fade. "Where did all that excitement just go?" Another night lost to tiny decisions and technical busywork. A few years ago, I learned a truth from competitive gaming: Speed isn't...
Hey Reader, For years, I avoided vocals. They felt like this chaotic element I couldn’t control, especially since I never record my own. Just samples from Splice or packs. Some sounded promising. But in the mix? They either disappeared or completely took over. Still, I kept going. Dragging plugins onto the channel. EQs, compressors, reverbs, until it sounded somehow okay. But I had no idea why it worked. Or if it was even good. That changed with one track: “Bombon” – the first time I actually...